Hi Quickstep
No, you won't be falling forward - just moving forward.
If we take the transition from step 1 to step 2 in the waltz natural turn. I'm driving with my standing (right) foot. My hips are forward under my body and my right shin is angled forward. My standing ball of foot is a little behind my centre of mass (i.e. my body) but it doesn't matter - i'm not falling forward, i'm driving forward and my left leg is just about to swing through for step 2.
I think Anonymous is about right on this.(though i don't agree on the "the weight is on the foot" thing, but i'm sure we both mean the same thing).
In fact, i'm trying to improve my dancing by improving this very action. Up till now, i've tended to stick my bum out a bit which leaves my hips and body a little behind (hey- that's a good pun!!) where they should be and is impeding my body flight.
I don't think of "body in front of foot", i think of "let's get this body driving forward with good shape"
I haven't tried this dance movement in a shopping centre because i'm afraid all the ladies will mob me to dance with them!!

"Hi Quickstep
No, you won't be falling forward - just moving forward.
If we take the transition from step 1 to step 2 in the waltz natural turn. I'm driving with my standing (right) foot. My hips are forward under my body and my right shin is angled forward. My standing ball of foot is a little behind my centre of mass (i.e. my body) but it doesn't matter - i'm not falling forward, i'm driving forward and my left leg is just about to swing through for step 2."

Actually, once your weight is past your center of floor pressure you are falling forward, but because you are driving forward faster than you are faling forward, you are moving in control and the result is wonderful.

That's basically how two legged creatures normally move - we are falling slightly for part of each step, but our drive in that direction overwhelms the fall. Only if we neglect to drive will we actually fall over.

"I think Anonymous is about right on this.(though i don't agree on the "the weight is on the foot" thing, but i'm sure we both mean the same thing).
In fact, i'm trying to improve my dancing by improving this very action. Up till now, i've tended to stick my bum out a bit which leaves my hips and body a little behind (hey- that's a good pun!!) where they should be and is impeding my body flight."

That leaving the hip back is precisely the problem that results, so it's great that you've realized this and are working to move beyond it. Generally the reason for leaving the hip back is to try to keep the body weight in balance over the foot in order to control the movement. But it just won't work with a partner. To dance in control with a partner, you have to aim the movement with care and then follow through on it with a committed, unhesistant drive - you can't get a way with a bad aim and then trying to make things work by "riding the brakes" which is to say leaving your hip weight behind.

If our foot is skimming the floor we are not in free fall. Free fall is how we walk, we lift the foot from the floor. In dancing we do not. Therefore we are in contact with the floor and are not falling. Loose contact with the floor and your timing will suffer. The speed of your feet will increase and you will lose time. Words from a former World finalist and Blackpool judge just recently on TV.

"If our foot is skimming the floor we are not in free fall. Free fall is how we walk, we lift the foot from the floor. In dancing we do not."

Once again you miss the ELEMENTARY FACT that the MOVING FOOT CANNOT SUPPORT YOU.

Regardless if it is on the floor, or tucked behind your ear, the moving leg is NOT A SUPPORTING FOOT!

"Loose contact with the floor and your timing will suffer. The speed of your feet will increase and you will lose time. Words from a former World finalist and Blackpool judge just recently on TV."

I know why he said that, but he is WRONG. Some people rely on drag of the moving leg against the floor to keep it from moving too fast, but the problem is that they are MOVING THEIR BODY IN THE WRONG WAY. If they would only move their body correctly, their moving leg would not try to move to fast, and thus they wouldn't have to rely on braking from the floor to slow it down.

They'd probably still choose to keep the foot on the floor (after all, why lift it?) But they would not RELY on braking action.

Those who know who I am refering to would tell you that she would put you in your place in no uncertain manner.

Once again you miss the ELEMENTARY FACT that the MOVING FOOT CANNOT SUPPORT YOU.

The moving foot is not supporting you. You know as well as we all do that we stay on the supporting leg as long as we can. That is up to the point of mid stride when the weight will be equally divided between the two feet and the drive from the standing foot will carry the body all the way to a position of balance.

"The moving foot is not supporting you. "

Glad to hear you finally say it - but the next step will be taking this fact into account when you explain things.

"You know as well as we all do that we stay on the supporting leg as long as we can."

On it, yes, but NOT OVER IT. If the body moves, it will not be able to stay over the supporting foot, instead it will project beyond the supporting foot into imbalance. It is still SUPPORTED by pressue from the standing foot (because there is no other means of support available), but it is no longer OVER the standing foot.

"That is up to the point of mid stride when the weight will be equally divided between the two feet and the drive from the standing foot will carry the body all the way to a position of balance."

Think about this: shortly before you reach your split weight, before there is any weight on your receiving foot, your body will be somewhere between your feet, but the only support will be from the standing leg. In other words, you will be OFF BALANCE with your body weight well past the foot that is supporting it. But that is fine, because your drive will move you faster than the small amount of falling that can occur in this time. It's the way people have been walking since, well, as long as they have been walking.

At the end of the stride you will have equall weight on each foot, its called split weight. Up to that position there is contact with the floor. Repeat after me. Ball then heel skimming the floor. Lower the front foot to the floor imediately. It is better to think of rolling the front foot to the floor which will also roll your back heel off the floor. This is called using the whole of both feet.
Dancing is not walking. When you walk either backwards or forwards you lift your feet off the floor. Which means there is very little to compare one to the other.In dancing the swing dances we stay in contact with the floor. How many more times do you need to be told. Go to your room and don't come out. You can come out for this. When they say stay on the standing leg longer that includes keeping that leg behind and don't bring it up to the other too quickly. Please look at Jonathan' s Feather Step video clip beginning of and finishing of the third step.

"At the end of the stride you will have equall weight on each foot, its called split weight."

You may, in fully flighted dancing I don't.

"Up to that position there is contact with the floor. Repeat after me. Ball then heel skimming the floor."

What you fail to realize is that:

- While a foot off the floor cannot be supporting weight

- A foot ON the floor IS NOT NECESSARILY supporting any weight.

My feet are both on the floor, and in fact stationary on it, but at mid stride there is brief period during which NEITHER is really supporting me.

"Dancing is not walking. When you walk either backwards or forwards you lift your feet off the floor. Which means there is very little to compare one to the other. In dancing the swing dances we stay in contact with the floor. How many more times do you need to be told."

Repeate after me: A MOVING FOOT, EVEN IF IT IS ONE THE FLOOR, IS NOT BEARING ANY BODY WEIGHT. As a result, the dynamics of walking don't really alter by keeping the feet on the floor. It's still basically walking - just a bit bigger and smoother and lower for dancing purposes.

"Go to your room and don't come out."

Please take your own advice!

"When they say stay on the standing leg longer that includes keeping that leg behind and don't bring it up to the other too quickly."

I'm fairly sure I leave my departed leg stationary a heck of a lot longer than you do! In fact, like Jonathan's video, there are situaions where my depearted leg will NOT EVEN CLOSE until AFTER THE ARRIVING HEEL HAS LOWERED - which is, contrary to your infantile triviasm, exactly what is required on for example step three of a feather.